The Dark Electro Sound of Mr. StarZ and Where It Went After Electric Found
A Two-Track 2021 EP Where Dark Wave Mood Meets the Club Floor Two tracks, nine minutes and 20 seconds, one name stitched from both titles:... Read More
independent artists
Dobi Dobi: Alterkix Puts a Robot Voice on Analog Synths, and How to Hear It
A Belgian Bass Player Turned Analog Synth Artist Packs a Robotic Hook Into 108 Seconds A Korg Monologue started all of this. Sabine Vermeylen, a... Read More
Shimmering Synths Over a Sleeping House, and How to Hear Them in Junifer’s Thoughts for the Night
5 min read
A Chico Folktronica Artist Turns Sleeping Children and Kitchen Whispers Into Alt-Pop Thoughts for the Night opens on a wash of ambient synths, soaked in... Read More
The Bitwig Studio Sound and Where It Went on Love 2 Love You by Pearl Project
A Dutch Producer’s Bitwig Home Studio and a Piano Bridge Shape a Slow-Building Alt-Pop Single According to the project’s own website, the Pearl Project studio... Read More
Recess of My Mind Finds xskarma Layering One Voice Into Harmonies, and How to Hear It
A Bristol Producer, Drummer and Songwriter Turns Memory, Love and Loss Into Downtempo Pop Listen to the voices first. Recess of My Mind is the... Read More
Why Rafael Montecruz Keeps Coming Back to Tell Me Why (Remix)
A Year After the Ballad, His First English Song Returns as Electro-Pop with Abraham Armell Synth pads and a light programmed rhythm open Tell Me... Read More
A One-Word Hook, and How to Hear It in HELLO by André
The Colombian-Born, LA-Based Artist Turns a Missing Greeting Into a Latin Disco-Pop Breakup Song HELLO by André runs on one English word dropped into a... Read More
Club Tempo at Pop Length, and How to Hear It in My Melodies by Geminee and Andrew Pololos
5 min read
Geminee’s First Release Packs a 126 BPM House Groove Into Two Minutes and 39 Seconds My Melodies runs at about 126 beats per minute, measured... Read More
Terra Olympia and Why the Olympic Synth Era Keeps Coming Back for George Voukanos
A Greek Composer Maps Ancient Olympia in Twelve Short Synth-Led Pieces Terra Olympia starts from a production choice most composers of Olympic music never make.... Read More
The TD-3 Acid Bass Behind The Contrarian, and Where Erick Castrillon Took It
An LA Filmmaker Layers a Colombian Flauta De Millo Over Glitchy Alt-Pop Electronica About AI Roland built the TB-303 in 1981 to stand in for... Read More
Why Boulevard of Broken Dreams Keeps Coming Back, and How Got Dibs Rebuilt It on Piano 
Elsa Eva Writes the Eerie Chorus in Fragments, and How to Hear It 
The Mild West: Space Cowboy Newt’s Tiny Synth Sound and Where It Went 
Why Big Room Keeps Coming Back on Twilight by JOYFIRE and Christine Elise