Why Rafael Montecruz Keeps Coming Back to Tell Me Why (Remix)
A Year After the Ballad, His First English Song Returns as Electro-Pop with Abraham Armell Synth pads and a light programmed rhythm open Tell Me... Read More
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A One-Word Hook, and How to Hear It in HELLO by André
The Colombian-Born, LA-Based Artist Turns a Missing Greeting Into a Latin Disco-Pop Breakup Song HELLO by André runs on one English word dropped into a... Read More
Club Tempo at Pop Length, and How to Hear It in My Melodies by Geminee and Andrew Pololos
5 min read
Geminee’s First Release Packs a 126 BPM House Groove Into Two Minutes and 39 Seconds My Melodies runs at about 126 beats per minute, measured... Read More
Terra Olympia and Why the Olympic Synth Era Keeps Coming Back for George Voukanos
A Greek Composer Maps Ancient Olympia in Twelve Short Synth-Led Pieces Terra Olympia starts from a production choice most composers of Olympic music never make.... Read More
The TD-3 Acid Bass Behind The Contrarian, and Where Erick Castrillon Took It
An LA Filmmaker Layers a Colombian Flauta De Millo Over Glitchy Alt-Pop Electronica About AI Roland built the TB-303 in 1981 to stand in for... Read More
Alibii Turn a Battle with Coeliac Disease Into I Think My Body Hates Me
A Sydney Duo Stacks Two Voices Over a Fast Pop-Rock Track Produced by Adrian Breakspear The production choice at the centre of i think my... Read More
The Retro Synth Sound and Where 90s Double Vision Takes It
An Irish Vocalist and a Brazilian Composer Build a Nocturnal Pop Record Across Two Continents The hook on 90s Double Vision arrives on a synth... Read More
Sugar Relics Put Can’t Stay Awake Back in Play on Caught in the Middle
A 2022 Dark Electro-Pop Single, Returned to Service on a 2026 Album The synth line on Can’t Stay Awake arrives before anything else does. It... Read More
Kid Ørbit Slide: the 808 Sound, and Where It Went After 1983
How A Melbourne Melodic Rap Single Inherits the Drum Machine That Built Trap Roland discontinued the TR-808 in 1983, and the machine refused to disappear.... Read More
Sarah Giles Made Don’t Whisper Inside Her Own Live Band and You Can Hear Where It Went
How a Nashville Producer Who Plays in the Band Built a Four-Minute Single Start with one line on the credit list. Chris Kuskey produced Don’t... Read More
VEM NA LUA Gives Corb Schemitz One Phonk Track at Five Different Speeds 
The Acapella-First Build of Don’t Let Them Win by Yiannis Chrysanthou, and How to Hear It 
The Saxophone-House Sound of Times EP by Nikolay Cranner, and Where It Went 
The Waitress Sample in BACKDOOR by ori.mp3, and How to Hear It